Ground Works is a platform for exemplary arts-inclusive research projects and reflection on the processes that drive interdisciplinary collaboration.
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Creating Knowledge in Common
Editors: Shannon Criss, Kevin Hamilton, and Mary Pat McGuire
Call for Proposals
General Call for Submissions
Rolling Submissions
Cripping Creativity & Play: Artist-Led Explorations of Disabled Art-Making
Submit by April 30, 2026
Special Issue: Cripping Creativity & Play: Artist-Led Explorations of Disabled Art-Making
Guest editor: Dr. Elizabeth McLain
Ground Works launches its Reco(r)ding CripTech online archive...
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Ground Works Pilots CRediT-FAIR Framework for Non-Authorial Contributions
December 2, 2024
Ground Works staff has adapted the NISO (National Information Standards Organization) Contributor Roles Taxonomy, known as CRediT.
CRediT has gained traction in sc...
MoreFeatured Articles
Mapping the Relationship Between a University and Community Music School
In this article, the authors trace the origins of a unique partnership between a community music school in Toronto, Canada and a neighboring university. Co-authored by Dr. Richard Marsella, Executive Director of Community Music Schools of Toronto, and Dr. Amy Hillis, Assistant Professor of Music at York University, their commentary discusses the origins of an endowed, community-university partnership with the Helen Carswell Chair in Community-Engaged Research in the Arts at York University. This partnership supports and facilitates research projects that benefit community arts organizations and the Jane Finch community, an underserved neighborhood near York University and home to the "Community Music Schools of Toronto at Jane Finch." From advancement and knowledge mobilization, through to design and defining a shared mission, this article unpacks the process of building a partnership between a community music school and a university. Dr. Marsella and Dr. Hillis share their unique perspectives in a discussion of the partnership’s challenges, successes and continued evolution. They question how to build an ideal relationship between researchers and research partners that has sustainable alignment between research topics and research needs. How can creativity and artistry be used to support university researchers' objectives in alignment with a community music organization’s infrastructure? This article includes 1) analyses of case studies from the first five years of the partnership’s existence, including research projects that cultivated long-term relationships between researcher and community music school, and 2) recommendations for other academic and community institutions to develop similar partnerships.
Realm of the Dead: A Mixed-Media Installation Performance
Forms of Freedom: The Art and Design of Black and Indigenous Creative Collectives
Featured Commentaries
Invited commentary on Vibrant Ecologies of Research
Ecologies of Transdisciplinary Research
There is a need to bridge the arts with the sciences to fully address the social and environmental crises facing the planet. Transdisciplinarity can meet this need if certain barriers are overcome: namely, delimited thinking and dysfunctional institutional structures.
Reviewer commentary on Forms of Freedom: The Art and Design of Black and Indigenous Creative Collectives
Incubating "Forms of Freedom..." for Ground Works
Veronica Stanich
For readers who have never encountered iterative play and creation as research methods, “Forms of Freedom…” is a wonderful entry point, demonstrating how these methods can both constitute a way of knowing and contribute to new knowledge.
March 2026 · 10.48807/2026.1.0013 · CC-BY-NC-ND
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